https://parsingpractice.com www.parsingpractice.com Sun, 12 Feb 2023 18:37:10 +0000 https://parsingpractice.com en https://parsingpractice.com/Front-page Wed, 18 May 2022 22:19:01 +0000 www.parsingpractice.com https://parsingpractice.com/Front-page https://parsingpractice.com/Information Wed, 18 May 2022 22:19:01 +0000 www.parsingpractice.com https://parsingpractice.com/Information https://parsingpractice.com/PEOPLE Sun, 12 Feb 2023 18:20:49 +0000 www.parsingpractice.com https://parsingpractice.com/PEOPLE Extraordinary People&nbsp; 2511 WHIMSICAL SIMPLICITY <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/632c08a4472f76b99dc595c69cbfef26001197ab08b5c2305bede9a113ee6583/251124_Dog.png" data-mid="241055792" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/632c08a4472f76b99dc595c69cbfef26001197ab08b5c2305bede9a113ee6583/251124_Dog.png" />2511 SELF PORTRAITS OF KATHE KOLLWITZ <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/5cb7902995e27f89d30af3fe7be11ad7369d3aa5dda63d35b947ef568ac36ec2/251121_Kathe-Kollwitz.png" data-mid="241055800" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/5cb7902995e27f89d30af3fe7be11ad7369d3aa5dda63d35b947ef568ac36ec2/251121_Kathe-Kollwitz.png" /> 0210 SUNSHINE &amp; SILENT ROOMS <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/7aefcf6e07849b9478ad1ecf8985a525ffabe0a92f6114a1c776646f30f11409/Thumbnails-04.png" data-mid="168121743" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/7aefcf6e07849b9478ad1ecf8985a525ffabe0a92f6114a1c776646f30f11409/Thumbnails-04.png" /> 0323 LOUISE NEVELSON <img width="432" height="288" width_o="432" height_o="288" data-src="https://freight.cargo.site/t/original/i/695b919bb21681f8979e2836d82215d929f9d38e69c1b383faad0b84dd0fd572/Thumbnails-01.png" data-mid="168121808" border="0" data-scale="25" src="https://freight.cargo.site/w/432/i/695b919bb21681f8979e2836d82215d929f9d38e69c1b383faad0b84dd0fd572/Thumbnails-01.png" />1512&nbsp;ALEXANDER KLEIN <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/dd51051dd5447f4c09ccd1fd2c6d65311d81a8b65a19ff3df517dfd84e1f8df3/241215_Alexander-Klein-1927-Functional-House-for-Frictionless-Living.png" data-mid="223384928" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/dd51051dd5447f4c09ccd1fd2c6d65311d81a8b65a19ff3df517dfd84e1f8df3/241215_Alexander-Klein-1927-Functional-House-for-Frictionless-Living.png" />2412 ETIENNE LOUIS BOULEE <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/4f9909c3dba56bc2d2509a1bd1a71d428049b39e5ae2015a9c3ef7439cddd100/241217_Etienne-Louis-Boullee.png" data-mid="223491923" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/4f9909c3dba56bc2d2509a1bd1a71d428049b39e5ae2015a9c3ef7439cddd100/241217_Etienne-Louis-Boullee.png" /> https://parsingpractice.com/MATERIALITY Sun, 12 Feb 2023 18:22:38 +0000 www.parsingpractice.com https://parsingpractice.com/MATERIALITY Materiality&nbsp;Understanding the process of making and construction Phyical properties, sensory qualities and cultural meanings of materials in architecture. Monomateriality as method of sustainability&nbsp; 0620 SUBTRACTIVE DESIGN <img width="1288" height="865" width_o="1288" height_o="865" data-src="https://freight.cargo.site/t/original/i/05cb445fa7ae97afa00d0418ce4537100a79c5155ccdb9b1c7c3f09c213b84d4/K-Block-copy.jpeg" data-mid="168122050" border="0" data-scale="27" src="https://freight.cargo.site/w/1000/i/05cb445fa7ae97afa00d0418ce4537100a79c5155ccdb9b1c7c3f09c213b84d4/K-Block-copy.jpeg" /> 1215 VILLAGE DES BORIES <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/7aaf5af97e1ae4186ae9dcb979f5968be2d2e03af1df43120ef3b0a8d21d73d5/241215_Village-Des-Bories.png" data-mid="223384649" border="0" data-scale="27" src="https://freight.cargo.site/w/1000/i/7aaf5af97e1ae4186ae9dcb979f5968be2d2e03af1df43120ef3b0a8d21d73d5/241215_Village-Des-Bories.png" /> https://parsingpractice.com/TYPOLOGY Sun, 12 Feb 2023 17:54:12 +0000 www.parsingpractice.com https://parsingpractice.com/TYPOLOGY Typology&nbsp; On Typology by Rafael Moneo Type or Typology can be defines as a concept which describes a group of objects charecterized by the same formal structure.&nbsp; We believe that the most intense moments in architectural development are those when a new type appears. In order do so, we need a thourough understanding of existing typologies - formal or morphological, programmatic or building type, and strucutal. 0212 TEMPLE PLANS <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/329262582b737cd4d844123899a8a745e7467ef2e4eaacc58efdecabb3a09a40/Thumbnails05.png" data-mid="168120168" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/329262582b737cd4d844123899a8a745e7467ef2e4eaacc58efdecabb3a09a40/Thumbnails05.png" /> https://parsingpractice.com/REPRESENTATION Sun, 12 Feb 2023 17:45:16 +0000 www.parsingpractice.com https://parsingpractice.com/REPRESENTATION Representation&nbsp;Exploring various types of drawing as a tool for representation of architectural information - Axonometry, planar, sectional.&nbsp; Disecting the various tools for acheiveing these - generative, combinatory, etc 2501 VERMEER’S CAMERA <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/3460c2d7f37657727ae3f94526cc3b5cbf40b58a557ecad748947a9a6c44332e/250106_Vermeers-Camera.png" data-mid="224238928" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/3460c2d7f37657727ae3f94526cc3b5cbf40b58a557ecad748947a9a6c44332e/250106_Vermeers-Camera.png" /> 1206 JON KOKO <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/8cdf24f141a7e5017657dd5f7c13f2ef09a3fb1a68e7cb11e57d1ebf110c2b19/Thumbnails08_Jon-Koko.png" data-mid="198783020" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/8cdf24f141a7e5017657dd5f7c13f2ef09a3fb1a68e7cb11e57d1ebf110c2b19/Thumbnails08_Jon-Koko.png" /> 0228 ZORN’S ETCHINGS <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/9f5ef8ee3002d0848b8cdfa7688d23c1264d3173bfe5a1be483f20209efc2586/Thumbnails08.png" data-mid="170090974" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/9f5ef8ee3002d0848b8cdfa7688d23c1264d3173bfe5a1be483f20209efc2586/Thumbnails08.png" /> 0212 TEMPLE PLANS <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/329262582b737cd4d844123899a8a745e7467ef2e4eaacc58efdecabb3a09a40/Thumbnails05.png" data-mid="168119073" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/329262582b737cd4d844123899a8a745e7467ef2e4eaacc58efdecabb3a09a40/Thumbnails05.png" /> 0210 SUNSHINE &amp; SILENT ROOMS <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/7aefcf6e07849b9478ad1ecf8985a525ffabe0a92f6114a1c776646f30f11409/Thumbnails-04.png" data-mid="168119072" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/7aefcf6e07849b9478ad1ecf8985a525ffabe0a92f6114a1c776646f30f11409/Thumbnails-04.png" /> 0720 AXONOMETRY <img width="1651" height="1101" width_o="1651" height_o="1101" data-src="https://freight.cargo.site/t/original/i/e48230eb57223ceba8a12eeeccb8c10299bd85bd5c4e2f80df90937af7d38454/Thumbnails-02.png" data-mid="168119069" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/e48230eb57223ceba8a12eeeccb8c10299bd85bd5c4e2f80df90937af7d38454/Thumbnails-02.png" /> https://parsingpractice.com/TIME Sun, 12 Feb 2023 18:37:10 +0000 www.parsingpractice.com https://parsingpractice.com/TIME Time, timelessness and other temporal things&nbsp;Longetivity of materials and buildings&nbsp; 1. Adaptability - ability to accomodate change ove time 2. Contextual sentsitivity&nbsp; 3. Material Integrity, Wear and Tear, and Aging 4. Composition, Proportions, Scale and Balance 5. Clarity in form and layout 6. Functionality 7. Quality of craftmanship 8. Symbolism and meaning 0212 TEMPLE PLANS <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/329262582b737cd4d844123899a8a745e7467ef2e4eaacc58efdecabb3a09a40/Thumbnails05.png" data-mid="168123231" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/329262582b737cd4d844123899a8a745e7467ef2e4eaacc58efdecabb3a09a40/Thumbnails05.png" /> 0210 SUNSHINE &amp; SILENT ROOMS <img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/7aefcf6e07849b9478ad1ecf8985a525ffabe0a92f6114a1c776646f30f11409/Thumbnails-04.png" data-mid="168123230" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/7aefcf6e07849b9478ad1ecf8985a525ffabe0a92f6114a1c776646f30f11409/Thumbnails-04.png" /> 0720 AXONOMETRY <img width="1651" height="1101" width_o="1651" height_o="1101" data-src="https://freight.cargo.site/t/original/i/e48230eb57223ceba8a12eeeccb8c10299bd85bd5c4e2f80df90937af7d38454/Thumbnails-02.png" data-mid="168123228" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/e48230eb57223ceba8a12eeeccb8c10299bd85bd5c4e2f80df90937af7d38454/Thumbnails-02.png" /> https://parsingpractice.com/2303_1_Louise-Nevelson Wed, 18 May 2022 23:01:02 +0000 www.parsingpractice.com https://parsingpractice.com/2303_1_Louise-Nevelson Louise Nevelson ( 1899-1988 ) “Art Is Everywhere, Except It Has To Pass Through A Creative Mind.”- Louise Nevelson Louise Nevelson was an Russian-American sculptor known for her monumental, monochromatic, wooden all pieces and outdoor sculptures. She emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and readymades. Feminism &amp; Art Louise Nevelson has been a fundamental key in the feminist art movement.Credited with triggering the examination of femininity in art, Nevelson challenged the vision of what type of art women would be creating with her dark, monumental, and totem-like artworks which were culturally seen as masculine.&nbsp;Nevelson believed that art reflected the individual, not "masculine-feminine labels", and chose to take on her role as an artist, not specifically a female artist She sculpted in wood in direct response to her male peers using metal On Material &amp; Process Although she used wood as her primary material,” no, I am not in love with wood as such, let other artists be in love with it.&nbsp; The forms were important. If I loved wood so much, I wouldn't paint it, I would leave it” she said. She saw possibilities in ready made objects. <img width="564" height="881" width_o="564" height_o="881" data-src="https://freight.cargo.site/t/original/i/de71ac32fbb7a8553c2a22b30a0f062a7c44c1307fa2ca3260d4334cebfa1c00/943320b98c801978b4716a261c395a93.jpeg" data-mid="145919153" border="0" data-scale="70" src="https://freight.cargo.site/w/564/i/de71ac32fbb7a8553c2a22b30a0f062a7c44c1307fa2ca3260d4334cebfa1c00/943320b98c801978b4716a261c395a93.jpeg" /> <img width="564" height="438" width_o="564" height_o="438" data-src="https://freight.cargo.site/t/original/i/b059c4f44313d957b5b8354441ac7246cbd8c82c7b40631aa369081bb1e7b037/Louise-Nevelson.jpeg" data-mid="143031439" border="0" data-scale="70" src="https://freight.cargo.site/w/564/i/b059c4f44313d957b5b8354441ac7246cbd8c82c7b40631aa369081bb1e7b037/Louise-Nevelson.jpeg" /> <img width="349" height="401" width_o="349" height_o="401" data-src="https://freight.cargo.site/t/original/i/acd2dc9255be240bffd5f4d925f2d53abc5adfd5f76ad6549f1ed5b365dcd9b2/39cbbe0578ae5380f4e5d20a86f47ec9.jpeg" data-mid="145919150" border="0" data-scale="26" src="https://freight.cargo.site/w/349/i/acd2dc9255be240bffd5f4d925f2d53abc5adfd5f76ad6549f1ed5b365dcd9b2/39cbbe0578ae5380f4e5d20a86f47ec9.jpeg" />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img width="210" height="205" width_o="210" height_o="205" data-src="https://freight.cargo.site/t/original/i/d1d4a604ae7c7a47d11643a950361974d9af5f25dcdc189535d9782e5e6fe585/2f56e9ac9a0975a9d3ed3249598c1eb1.jpeg" data-mid="145919148" border="0" data-scale="100" src="https://freight.cargo.site/w/210/i/d1d4a604ae7c7a47d11643a950361974d9af5f25dcdc189535d9782e5e6fe585/2f56e9ac9a0975a9d3ed3249598c1eb1.jpeg" /> <img width="563" height="445" width_o="563" height_o="445" data-src="https://freight.cargo.site/t/original/i/380ddbf901b8e96111a3320f11d92fd59d02cb0acaedfaf98efb6d809618a279/5544e1472c9f40d4a73d6760bede7b69.jpeg" data-mid="145919151" border="0" data-scale="70" src="https://freight.cargo.site/w/563/i/380ddbf901b8e96111a3320f11d92fd59d02cb0acaedfaf98efb6d809618a279/5544e1472c9f40d4a73d6760bede7b69.jpeg" /> <img width="563" height="488" width_o="563" height_o="488" data-src="https://freight.cargo.site/t/original/i/7a415af632773b548b1b01c9ce634dc9a27bbc34060bd6a52f537f1969563591/Big-Black.jpeg" data-mid="145919155" border="0" data-scale="70" src="https://freight.cargo.site/w/563/i/7a415af632773b548b1b01c9ce634dc9a27bbc34060bd6a52f537f1969563591/Big-Black.jpeg" /> <img width="563" height="751" width_o="563" height_o="751" data-src="https://freight.cargo.site/t/original/i/80e4f7666269b595b2abe9fcb59e74a4827d861fd2872696d7ca749f3e4bba97/Black-Wall.jpeg" data-mid="145919156" border="0" data-scale="70" src="https://freight.cargo.site/w/563/i/80e4f7666269b595b2abe9fcb59e74a4827d861fd2872696d7ca749f3e4bba97/Black-Wall.jpeg" /> <img width="564" height="465" width_o="564" height_o="465" data-src="https://freight.cargo.site/t/original/i/c2fafc11f8ab7db54e81c6a0fee360ebe6ded855f38f05e70c15584d8993d06f/ca9333e950fb5622d377bd79d8a6236b.jpeg" data-mid="145919157" border="0" data-scale="70" src="https://freight.cargo.site/w/564/i/c2fafc11f8ab7db54e81c6a0fee360ebe6ded855f38f05e70c15584d8993d06f/ca9333e950fb5622d377bd79d8a6236b.jpeg" /> <img width="564" height="429" width_o="564" height_o="429" data-src="https://freight.cargo.site/t/original/i/5be19c853cecf990385ed9d292848d20e371f3dbde46caa9c63608becdf0b635/08f3743a9339ec5acf338e4bd0b78c10.jpeg" data-mid="145919149" border="0" data-scale="70" src="https://freight.cargo.site/w/564/i/5be19c853cecf990385ed9d292848d20e371f3dbde46caa9c63608becdf0b635/08f3743a9339ec5acf338e4bd0b78c10.jpeg" /> <img width="552" height="690" width_o="552" height_o="690" data-src="https://freight.cargo.site/t/original/i/f6e6a439b8e144a284301f660a1093ed6d9087d75a3d4c02d9cb8877213775b7/60297e9019c7b88f959ff21adbb849f4.jpg" data-mid="143031437" border="0" data-scale="70" src="https://freight.cargo.site/w/552/i/f6e6a439b8e144a284301f660a1093ed6d9087d75a3d4c02d9cb8877213775b7/60297e9019c7b88f959ff21adbb849f4.jpg" /> https://parsingpractice.com/2306_1_Anna-Keichline Mon, 20 Jun 2022 17:10:31 +0000 www.parsingpractice.com https://parsingpractice.com/2306_1_Anna-Keichline Anna Wagner Keichline ( 1998-1943 ) Anna Wagner Keichline was a pioneering American architect, serial&nbsp; inventor, suffragist and a WWW1 Special agent. She was the first registered women architect in Pennsylvania. She was also one of the first women to drive a car. In her long and fascinating career, she was awarded 7 patents ranging from a Portable Partition (1927) to a space saving Bed for Apartments (1929) and a Kitchen Compartment (1926). Subtractive Design Her most ubiquitous invention is the Building Block (1927). Before Anna Keichline, all building blocks were solid. With her innovative subtractive insights, she started to subtract parts of the block to create what's commonly known as the ‘K Block’. This hollow block was inexpensive, lightweight and hence less expensive to transport, provided more insulation and was fireproof. It has since been the basis for all modern hollow blocks to follow <img width="1327" height="2000" width_o="1327" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1b70fbef9bc1dc669ca2c2cf4f2fd2b03bb851ae0c3e0a4c4da26213f00cc0b6/5.-keichline-05.jpeg" data-mid="145903836" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/1b70fbef9bc1dc669ca2c2cf4f2fd2b03bb851ae0c3e0a4c4da26213f00cc0b6/5.-keichline-05.jpeg" /> Anna Wagner Keichline, ladrillo K, patente, 1927 --- <img width="1288" height="865" width_o="1288" height_o="865" data-src="https://freight.cargo.site/t/original/i/4bcf26ca4a7463087612f1ab27acf96dd0aaacc5b44209f86f158915aca6339c/K-Block.jpeg" data-mid="145903838" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/4bcf26ca4a7463087612f1ab27acf96dd0aaacc5b44209f86f158915aca6339c/K-Block.jpeg" /> Anna Keichline, Building Block, #1,653,771 A, filed March 16, 1926, issued December 27, 1927. Anna Keichline Papers, Ms1989-016, Special Collections, Virginia Polytechnic Institute and State University --- <img width="1000" height="1469" width_o="1000" height_o="1469" data-src="https://freight.cargo.site/t/original/i/265894619dcc410fb34ce489e452044548db738683ade97c73f42373c01cc1a6/keichline08-e1442416020710.png" data-mid="145903839" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/265894619dcc410fb34ce489e452044548db738683ade97c73f42373c01cc1a6/keichline08-e1442416020710.png" /> Anna Wagner Keichline, patente cocina, 1924 --- <img width="1499" height="2000" width_o="1499" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b927c2bf9abbfe2eb5705327ba8d1e382931398ac394456db1b8f8e6d41812ea/Kitchen-Construction.jpeg" data-mid="145903840" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/b927c2bf9abbfe2eb5705327ba8d1e382931398ac394456db1b8f8e6d41812ea/Kitchen-Construction.jpeg" /> Anna Wagner Keichline, patente cocina, 1924--- <img width="1000" height="1469" width_o="1000" height_o="1469" data-src="https://freight.cargo.site/t/original/i/09b66bcc778f0ea503ed14ac65dd434f8b2bcfc6a5b5aa15b00a6d719f2cf4f5/Patent-Cochina-1924_3.png" data-mid="145903841" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/09b66bcc778f0ea503ed14ac65dd434f8b2bcfc6a5b5aa15b00a6d719f2cf4f5/Patent-Cochina-1924_3.png" /> Anna Wagner Keichline, patente cocina, 1924 --- <img width="1000" height="1469" width_o="1000" height_o="1469" data-src="https://freight.cargo.site/t/original/i/9ec4215dc0084bc3b470d2608f97acbc168ca1dfa0b2da0ada18dd1a7384b4c3/Portable-Parition-1927.png" data-mid="145903845" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/9ec4215dc0084bc3b470d2608f97acbc168ca1dfa0b2da0ada18dd1a7384b4c3/Portable-Parition-1927.png" /> Anna Wagner Keichline, patente juguete, 1927 --- <img width="1000" height="1469" width_o="1000" height_o="1469" data-src="https://freight.cargo.site/t/original/i/6141762f9c56b56014fae144d968b973e247f914b19ed0ccd859630a0d7685cf/Portable-Parition_2.png" data-mid="145903847" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/6141762f9c56b56014fae144d968b973e247f914b19ed0ccd859630a0d7685cf/Portable-Parition_2.png" /> Anna Wagner Keichline, patente juguete, 1927 https://parsingpractice.com/2307_1_Axonometry Wed, 18 May 2022 22:15:05 +0000 www.parsingpractice.com https://parsingpractice.com/2307_1_Axonometry AXONOMETRYa chronology “Isometric perspective, Less faithful to appearance, is more faithful to fact; It shows things more nearly As they are known to the mind: Parallel lines are really parallel; There is no far and no near, The size of everything remains contact Because all things are represented as being the same distance away And the eye of the spectator everywhere at once. When we imagine a thing, Or strive to visualize it in the mind or memory, We do it this way, Without the distortions of ordinary perspective. Isometric perspective is therefore more intellectual, Archetypal it more truly renders the mental image - The thing seen in the mind eye” Claude Bragdon : The Frozen Fountain, 1932 <img width="2560" height="120" width_o="2560" height_o="120" data-src="https://freight.cargo.site/t/original/i/2fa17cf2ad3b6ebf53a0777a7b1fc2023de0cf49a282ae167997d6fba40431e9/0_2560px-Alongtheriver_QingMing.jpeg" data-mid="148385039" border="0" src="https://freight.cargo.site/w/1000/i/2fa17cf2ad3b6ebf53a0777a7b1fc2023de0cf49a282ae167997d6fba40431e9/0_2560px-Alongtheriver_QingMing.jpeg" /> “Along the River During the Qingming Festival” by Zhang Zeduan |&nbsp;1085–1145 (Link) <img width="3600" height="1800" width_o="3600" height_o="1800" data-src="https://freight.cargo.site/t/original/i/a64bf27793ca0e18b579cdbc2376b5eaff85e762bccbd3f5ee144e64f480fd0f/1_Along_the_River_During_the_Qingming_Festival_detail_of_original.jpeg" data-mid="148385040" border="0" src="https://freight.cargo.site/w/1000/i/a64bf27793ca0e18b579cdbc2376b5eaff85e762bccbd3f5ee144e64f480fd0f/1_Along_the_River_During_the_Qingming_Festival_detail_of_original.jpeg" /> Detail of “Along the River During the Qingming Festival” by Zhang Zeduan | 1085–1145 <img width="640" height="585" width_o="640" height_o="585" data-src="https://freight.cargo.site/t/original/i/1f9a654d0aecfd8daaac0fccf26c05401a914c21532db37ecf8cd5fd35001a7e/3_1sX2sIUX3Lk5sXwXxa_TNfw.jpeg" data-mid="148385206" border="0" data-scale="100" src="https://freight.cargo.site/w/640/i/1f9a654d0aecfd8daaac0fccf26c05401a914c21532db37ecf8cd5fd35001a7e/3_1sX2sIUX3Lk5sXwXxa_TNfw.jpeg" /> Early Greek attempt to depict a sense of depth on the picture plane. <img width="638" height="164" width_o="638" height_o="164" data-src="https://freight.cargo.site/t/original/i/d4da7b156248b6118300d05716b2da4cb0bee9f543b363926b8fb4991d4fe334/-El-Lissitzky-.jpeg" data-mid="148385761" border="0" src="https://freight.cargo.site/w/638/i/d4da7b156248b6118300d05716b2da4cb0bee9f543b363926b8fb4991d4fe334/-El-Lissitzky-.jpeg" /> Modernist El Lissitzky was the first western artist to graphically depict the difference between linear perspective and an axonometric projection.